Media
Art and Community: A Discussion with Frances Anderton and Ann Weber
December 2023
In addition to a daily studio practice artist Ann Weber believes that participating in the arts community has furthered her ambitions beyond measure. In this discussion, Weber and design and community scholar Frances Anderton talk about how to become more involved with the magnificent culture of Los Angeles. Anderton tells stories and distills ideas about design, architecture and the cityscape of Los Angeles in print, broadcast media and public events. The author of "Common Ground: Multifamily Housing in Los Angeles, a Fellow of Friends of Residential Treasures: Los Angeles (FORT:LA) currently researching "Awesome and Affordable", and best known as the host of KCRW's DnA:Design and Architecture program.
Ann Weber Makes A Sculpture
July 2022
Get a behind-the-scenes look at how Ann Weber creates monumental sculpture out of found cardboard boxes.
Ann Moves To A New Studio
January 2022
Ann Weber is part of a community of over 50 artists with studios at Angels Gate Cultural Center in San Pedro, CA.
A Conversation with Ann Weber: Enough, Not Enough
October 2017
Sometime not so long after this magazine had been launched, I remember a conversation I had with Ann Weber. I knew her work, but if we’d actually met, the word acquaintance would suffice. The conversation began well, and quickly became quite friendly. In recollection, I was surprised by its warmth and can remember feeling emboldened. Before long a proposal was put forth—by whom, I don’t recall, but I suspect it was Ann. “Why don’t we begin a series of dinners with artists? We’d each invite two or three artists. It could be at my studio and I’d do the cooking.” (this part I do recall)
Ann Weber in Rome
Visiting Artist and Scholars Program, American Academy in Rome
Large-scale wall sculptures were created from beautiful Italian cardboard scavenged from dumpsters. Inspiration came from the Laocoon sculpture in the Vatican Museum, the view outside Weber's 15-foot studio window overlooking the city, and the drapery of High Baroque sculpture.
"Extreme patterns in Bernini's drapery express spiritual passion. These shapes are not simply signifiers of clothing: in their abstract complexity the folds seem to preordain abstract expressionist art. By selecting details from his drapery in The Ecstasy of St. Teresa or the Angels with the Superscription, then magnifying these details, and executing them in cardboard, I explore this aspect of his work as a separate and complete entity."—AW
2013 Artist in Residence, International School of Beijing, People’s Republic of China
International School of Beijing invited San Francisco-based sculptor Ann Weber to work with students to create a large-scale sculpture for the Beijing Global Initiatives Network Conference sponsored by the school. During her month-long residency, Weber and students in grades K–12 created a 22-foot collaborative sculpture entitled The Ripple Effect, that addresses the theme of water in today’s China.